Exiled Intellectuals potrayed by Fred Stein

Fred Stein (1909-1967) began to make photography his profession after his escape from Nazi Germany to Paris in 1933. Besides street photography, portraiture became his most important subject. He also photographed many German intellectuals who, like him, had fled from Nazi Germany into exile and built up a productive network based on a feeling of solidarity there.

Alfred Kantorowicz, 1935, photographed by Fred Stein, with kind permission of Peter Stein © Fred Stein Archive

Hannah Arendt, 1944, photographed by Fred Stein, with kind permission of Peter Stein © Fred Stein Archive

Bertolt Brecht, 1935, photographed by Fred Stein, with kind permission of Peter Stein © Fred Stein Archive

Albert Einstein, 1946, photographed by Fred Stein, with kind permission of Peter Stein © Fred Stein Archive

Fred Stein, self-portrait, 1941, with kind permission of Peter Stein © Fred Stein Archive

Thomas Mann, 1943, photographed by Fred Stein, with kind permission of Peter Stein © Fred Stein Archive

Fred Stein (1909-1967) was born in Dresden as the son of a rabbi and initially started a lawyer’s career. After the National Socialists seized power and issued a decree revoking the license to practice law for Jews as early as June 1933, however, the career as a legal clerk was discontinued. Fred Stein’s political, antifascist and socialist commitment – and his awareness that the Gestapo was making inquiries about him – forced Stein to flee as early as October 1933. Together with his wife Lieselotte (née Salzburg, named Lilo), whom he had married the same year, he went on a fake honeymoon trip to France, from which they did not return.

Like many other refugees, the young couple tried to build up an interim life in Paris. Fred Stein turned his previous hobby, photography, into a profession. He meandered through Paris with the Leica, which he and Lilo had given each other as a wedding present. He developed two main subjects: the “sociology of the street” and “the psychology of the portrait.” Fred Stein photographed, among other things, the Jewish quarter of Marais, the glamour and poverty on the streets of Paris, the workers, beggars, sales clerks and children he met there, the café life of the emigrants. He also took photographs of children who had fled to France from the Spanish Civil War. In 1935 he portrayed participants in the International Writers’ Congress for the Defense of Culture in Paris. He also portrayed Hannah Arendt (1906-1975), with whom he had a long friendship, for over 30 years.

In addition to her portrait and a self-portrait of Stein, this selection also includes portraits of other German intellectuals who had to leave Nazi Germany and go into exile. Some of them, like Stein and Arendt, found themselves temporarily in Paris: Alfred Kantorowicz (1899-1979), who had been engaged in journalistic activities against the Nazis, had to leave Germany as early as 1933, like the Steins and Arendt, and founded the “Deutsche Freiheitsbibliothek” (German Freedom Library) in Paris, where all writings banned and burned by the National Socialists were to be collected. Heinrich Mann (1871-1950) became president of the “Freiheitsbibliothek.” His brother Thomas Mann (1875-1955), whom Fred Stein probably first met in the USA, made Paris one of the central scenes in his emigrant novel Der Vulkan (The Volcano), which was published in 1939. Albert Einstein (1877-1955), whose writings had also been partially burned by the Nazis and who had also emigrated to the USA very early, helped many other threatened artists and scientists to leave Europe for the United States. Bertolt Brecht (1998-1956), who is one of the well-known writers persecuted by the Nazis, did not make it there until 1941. Paris was one of his previous exile destinations.

The productive network of exiled intellectuals based on solidarity also took place face to face in Fred and Lilo Stein’s apartment in Montmartre which became a meeting place for many refugees and the “Studio Stein” with the bathroom as a darkroom. Lilo contributed through retouching and laboratory work and her own photographs. Stein’s photographs were shown, among other places, in the bookstore and Galerie de la Pléiade, which was central to Parisian exile life. He also published them in illustrated magazines, especially left-wing ones such as the “Regards,” in which social reportage had become an essential element.

Stein remained politically active in Paris not only through his social-documentary photographic work: he became involved in the Anti-Fascist Journalists’ Association and wrote articles for the Socialist Workers’ Party under the pseudonym Fritz Berg. From September 1939 onwards, Fred Stein was sent to various internment camps because of his German origins. In the Villerbon camp, he administered a small camp library and organized mutual instruction courses with other inmates, which they jokingly called “la Sorbonne.” Amid the unrest following the German invasion of France, Fred Stein escaped the internment camp, and managed to find Lilo and their daughter Marion, born in 1938, in Toulouse. In 1941, with the help of the Emergency Rescue Committee headed by Varian Fry, the Stein family managed to escape to New York, where they settled permanently. Fred Stein continued his photographic work. 11See Stein, Fred / Freer, Dawn (ed.), 2013: Fred Stein. Paris, New York, Berlin: Kehrer.

    Footnotes

  • 1See Stein, Fred / Freer, Dawn (ed.), 2013: Fred Stein. Paris, New York, Berlin: Kehrer.

All photographs by Fred Stein are published on the We Refugees Archive with the kind permission of Peter Stein.

© Fred Stein Archive

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